Auriane Pebbled Champagne Glass Chandelier
Auriane Pebbled Champagne Glass Chandelier
The craftsmanshipThe Art Glass DifferenceWhy hand-cast art glass beats molded glass & resin, the many shapes our artisans create, and how to spot the real thing. ▦ Material comparison ✦ One craft, many shapes 🔍 Spot genuine glass Open
Hand-cast art glass vs. molded glass vs. resin
Three materials look similar in a thumbnail — but live very differently on your wall. Here's how our hand-cast art glass compares.
| Our Hand-Cast Art Glass | Molded / Pressed Glass | Resin / Acrylic Imitation | |
|---|---|---|---|
| How it's made | Hand-cast & shaped by artisans, one piece at a time | Machine-pressed in a fixed mold, mass-produced | Liquid resin poured into a mold, mass-produced |
| Texture & pattern | Unique crackle texture — no two tubes alike | Identical, repeating pattern on every unit | Flat, "printed-on" look; texture feels superficial |
| Light quality | Deep, layered glow; light refracts through real glass | Even but flat; little depth or movement | Dull, slightly cloudy; can look plasticky when lit |
| Feel & weight | Substantial, cool, solid in the hand | Solid but uniform | Noticeably light, warm, hollow-feeling |
| Color over time | Color is in the glass — won't fade or yellow | Stable color | Can yellow or cloud with heat & UV over time |
| Heat tolerance | High — glass handles bulb heat well | High | Lower — can warp or discolor near heat |
| Character | A one-of-a-kind work of glass art | A functional, uniform fixture | A budget look-alike |
The takeaway: hand-cast art glass costs more to make, but it's the only one that gives you genuine depth of light, individual character, and lasting color — the qualities that make a fixture feel like art rather than hardware.
One craft, many shapes
Every piece begins the same way — molten glass, hand-cast and shaped by our artisans. From that single craft comes a whole family of forms, each catching and releasing light in its own way.
Looking for a different shape, size, or color in this art glass? We offer full customization — just reach out and our designers will help.
How to spot genuine art glass
Online photos can make resin and glass look alike. Here's how to tell the difference once it's in your home — every point below describes our fixtures.
Pick it up
Real glass is cool and substantial. Resin feels warm, light, and hollow. Our tubes have real weight — many customers say the heavy box was their first clue it's genuine.
Look at the texture
Hand-cast crackle texture has true depth you can feel with a fingertip. Resin texture looks like it's printed on a flat surface.
Turn on the light
Glass refracts light into a layered, moving glow. Resin tends to look flat, dull, or slightly cloudy when lit.
Compare two pieces
No two hand-cast tubes are exactly identical. If every piece looks machine-perfect and matched, it's molded — not artisan glass.
Our promise: every fixture is genuine hand-cast art glass. Slight variation between pieces isn't a flaw — it's proof it was made by hand.
Made To Order
Love the design but need it tailored to your space? We offer comprehensive customization solutions — dimensions, surface finishes, chain lengths, and more. Simply tell us your requirements, and we'll take care of the rest.
Share Your Idea
Message us online and get a fast response to your brief.
Expert Consultation
Our designers advise on size, finish, and proportion for your room.
We Craft It
Made to spec and inspected before it ships.
Not polished. Hammered, while the glass was still soft.
The Auriane Pebbled Champagne Glass Chandelier hangs curved glass petals in three descending tiers from a gold-tone frame, each one flaring outward at the lip. The surface is what sets it apart: not polished, but worked over into a fine pebbled texture while the glass is still molten.
That texture changes what the light does. A smooth petal passes light through and gives you one even glow. A pebbled one turns it at every bump — so a single bulb becomes a field of small warm highlights, and the champagne tint reads as depth rather than as a flat wash of colour. Unlit, the same texture catches daylight along every ridge, which is why this textured glass chandelier still has something to look at with the switch off.
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Pebbled, Not PolishedA smooth petal passes light through and gives one even glow. A pebbled one turns it at every bump — so a single bulb becomes a field of small warm highlights instead of one bright source.
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Champagne Gold, Not AmberWarm without going orange. The tint enters the molten batch and pools deeper at the petal's spine, lifting almost to clear at the flared edge — so it sits with pale walls and oak, not only in a dark room.
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Textured Glass's Warm Highlight GlowDozens of small warm points rather than one flat wash, and the bulbs stay out of sight from any angle below. Unlit, the same texture catches daylight along every ridge.
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Every Petal on Its Own ArmNothing is glued into a housing. Each petal hangs independently along the frame, so the tiers carry a natural unevenness no mould can copy — and one damaged petal is replaced on its own.
Dimensions & Placement
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Over a Round Dining TableBest above a round table 26–29″ (66–74 cm) across — roughly two thirds to three quarters of the table width. Hang the lowest petal about 30–36″ (75–90 cm) above the tabletop.
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Bedroom & Living RoomSized for rooms of roughly 9 × 11 ft (2.7 × 3.3 m) — add your room's length and width in feet and read the sum as inches. Centre it over the bed or the seating area rather than the middle of the room.
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Entry Hall & LandingSuits a single-height entry with ceilings of 8–10 ft (2.4–3 m). Keep at least 7 ft (2.1 m) of clearance from the floor in any walkway, and centre it over the space rather than the door.
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Where It Must Not GoRated IP20 — no protection against water. Not for a bathroom, above a bath or shower, in a laundry, or on a covered porch or balcony. Those need a damp- or wet-rated fixture.
A simple guide: allow about 2.5–3″ of drop for every foot of ceiling height. In a standard 9 ft room that puts the bottom of the fixture roughly 7–7.5 ft from the floor. Over a dining table you can hang it lower — 30–36″ above the tabletop — because nobody walks beneath it.
The chain shortens on site by removing links, so the final height is set during installation. Need extra length for a stairwell? Tell us your ceiling height when you order and we'll supply it before it ships.
Specification
- MaterialMetal · Hand-blown Glass
- Body finishGold
- Glass colourLight Tea — a pale champagne gold
- Glass petalspetals across three tiers
- Dimensions∅ 19.7″ × H 18.9″ (∅ 50 × H 48 cm), excluding chain
- Light sourceLED or Edison bulb — warm white 2700K recommended
- Bulb baseE12 / E14 (bulbs not included)
- VoltageAC 110–240V
- CertificationUL / CE / SAA
- ControlCommon wall switch (not included) — dimmable with a dimmable bulb on a compatible dimmer
- SuspensionChain — shortened on site by removing links
- WiringHardwired — professional installation recommended
- MountingCeiling
- Ingress ratingIP20 — indoor, dry locations only
- ApplicationDining room · living room · bedroom · entry hall · landing
- Customized serviceYou can easily customize the size, finish color, number of light sources, and hanging wire & chain length. Simplify the customization process and communicate directly with our designers online.
Please feel free to contact us by email if you have any questions.
Our email: support@korewolamp.com
What Makes It Special
Run a hand across a petal and you feel it — a fine pebbled surface, worked over while the glass was still molten rather than pressed on afterwards. Because it is formed in the wall of the piece, there is nothing to scratch off and nothing to wear away. It is also the reason each petal holds light differently: no two carry quite the same depth of dimple.
This is the distinction worth making. Amber glass pushes a whole room toward orange; this is a lighter, paler tint — closer to champagne gold — so it warms a space without recolouring it. And because the colour lives in the melt rather than on the surface, it deepens where the petal thickens at the spine and lifts almost to clear at the flared lip. The piece shifts as you walk around it.
Nothing is glued or sealed into a housing. Every petal hangs from its own arm along the gold frame, tier by tier, which is why the rows carry a natural give that a moulded fixture never has — and why a single damaged petal can be replaced on its own rather than returning the whole chandelier.
It Stops Short of Amber
Champagne, not orange. Warmth that joins a room instead of deciding it.
The easy choice would have been amber. Amber is what a warm glass chandelier is supposed to be, and it does the job in one move — switch it on and the whole room goes golden. But it also commits you. An amber fixture decides the palette of a room the moment it's lit, and everything in that room afterwards has to agree with it.
This one stops earlier, at a pale tea-gold. And a pale tint has a problem of its own: on smooth glass it looks thin. Light passes through a lightly tinted, polished petal and comes out as a weak flat wash — the colour reads as absence rather than as choice. Which is exactly why the surface here is not polished. Every petal is hammered over into a fine pebbled texture while the glass is still molten, so the light is turned at every small bump on its way through.
That texture is what gives a light colour body. Instead of one thin wash you get dozens of small warm highlights, each one a little deeper than the glass looks unlit. The restraint in the colour is only possible because of the work in the surface — two decisions that need each other, and the reason this can sit in a room with pale walls and oak rather than only in a dark one.
Breakfast, Curtains Open
Nobody has touched a switch. Daylight catches the pebbled surface along every ridge and the tiers hold their shape against a white ceiling — the moment a darker glass would just look heavy.
Dinner, Switched On
Warm highlights land across the table, the wood deepens, faces soften. And the plates still look like the colour you bought them — the room got warmer, not repainted.
Dimmed, Late
Turned low, the glow stops being one mass and separates. Every dimple becomes its own small point of light, and the tiers read as dozens of them rather than three rows of glass.
It warms the room — and leaves the colours in it alone.
Before You Order
Everything you might want to know about the glass, the colour, the texture, and getting it on your ceiling.
01What's the difference between this and an amber chandelier?
Saturation, and what it does to your room. Amber glass commits a space — switch it on and the whole room goes golden, and everything in it afterwards has to agree with that. This glass is a pale tea-gold, closer to champagne: it warms a room without recolouring it, so your walls stay the colour you painted them and your plates stay the colour you bought them.
Practically: choose this one for pale walls, oak, cream, plaster and rooms with a lot of daylight. If you actually want the full golden-hour effect — a dark dining room, walnut, leather — the Solene Amber Glass Petal Chandelier is the right piece rather than this one.
02What is the pebbled texture for?
It is what lets a pale colour still have depth. Light passing through a lightly tinted polished petal comes out as a weak, flat wash — the tint reads as absence rather than as a choice. Here every petal is hammered into a fine pebbled surface while the glass is still molten, so light is turned at every small bump on its way through.
What reaches the room is dozens of small warm highlights rather than one thin glow. And because the texture is formed in the wall of the petal rather than applied to it, there is nothing to scratch off and nothing to wear away.
03Is the glass really hand-blown?
04Will mine look exactly like the photographs?
05Can I use it in a bathroom?
No. This fixture is rated IP20, which means it is protected against contact but has no protection against water at all.
It belongs in dry indoor rooms — dining rooms, living rooms, bedrooms, entries, stairwells. Do not install it in a bathroom, above a bath or shower, in a laundry room, or on a covered porch or balcony, even one that stays out of direct rain. Those positions need a fixture rated for damp or wet locations. If you are unsure about a particular spot, ask us before you order.
06How bright is it? Will I see the bulbs?
07What bulbs does it use, and can it be dimmed?
08What size room and table does it suit?
09How high should I hang it?
10Can I install it on a sloped or vaulted ceiling?
Yes — a chain-hung chandelier is the easiest type to do it with. Because the whole fixture hangs from a single point, it stays perfectly level no matter what angle the ceiling above it sits at.
The only part to handle is the canopy where it meets the ceiling. A standard canopy sits flush on a shallow pitch only; anything steeper needs a sloped-ceiling adapter — an angled kit that lets the canopy sit flat against the slope while the chain still hangs plumb. Tell us the pitch before you order and we will confirm whether one is needed and supply it.
11Will my ceiling take the weight?
12How do I clean it, and what if a petal breaks?
Wipe each petal with a soft dry cloth, or barely damp for fingerprints, supporting it with your other hand. Work outward from the crown so dust falls away from what you have already cleaned. Avoid abrasive pads, solvents and glass sprays containing ammonia — a pebbled surface traps residue. Always switch off and let the bulbs cool completely first.
Every petal is individually wrapped and foam-seated for shipping, with the frame boxed separately. If something arrives damaged, send photographs within 24 hours of delivery and the affected part is replaced. Because each petal hangs on its own arm, a single broken petal never means returning the whole chandelier.
Still have a question? Our team is happy to help before you order.